Donatellos David Essay - 1427 Words

Donatellos David Donatello was one of the most important and influential artists of the fifteenth century. As a master artist, he sculpted some of the most beautiful pieces of the Italian Renaissance. His innovations impacted many artists of his time, and set the standard for centuries of sculptors to follow. Donatello’s style is clearly defined and easily recognized in nearly all of his pieces. An exception is the bronze, David, dated 1425-1430. David strays from the traditional style of Donatello with reference to style, form, and medium. Historians speculate on the reasons for this breakthrough with regards to Donatello’s philosophies and life experiences, questioning his brief return to the classical style, as well as the†¦show more content†¦His arms are slightly long for his body, and the muscles not as developed as those of a man. His waist is small, and the form of his ribs is sculpted enough to know that he is lacking muscle definition. His stomach seems to po p out a little bit, perhaps suggesting the baby fat that he has yet to work off. He has one hand resting limply on his hip, while his other rests on a sword handle. His hair is shoulder length and slightly untamed, while a hat rests slightly tilted atop his head. His head is tilted slightly downward, and a slight upward bend in his lip looks almost like a building smile. One leg is straight, supporting his weight, while the other is propped on the head of the slain Goliath. The bends of his limbs are very natural, and the attention to detail exemplifies Donatello’s understanding of human anatomy. A closer look at the sculpture, however, reveals the details that set it apart from other works of the master. Donatello, considered a master of the nude, cared little to produce them in his sculptures. David, an exception to his previous work, would be completely naked if not for his boots and hat. A hint of romantic charm lies in the figure’s hat. A broad brim garlanded with bay leaves, the hat throws David’s face into a deep shadow and seems to suggest the simple life of a shepherd. The whole pose of David is inert, tame and non-threatening, despite the severed head beneathShow MoreRelatedAnalysis Of Donatello s David Of The Same Boy1414 Words   |  6 PagesThe story of the young shepherd boy named David, who defeated the warrior giant Goliath, with nothing more than his slingshot has become a symbol of how man, or in this case a boy, can achieve anything with faith and a great deal of will power. Here we compare two statues of the same boy, each telling a different part of David’s story. One depicts the boy moments after the battle and the other depicts David d uring pivotal moment of his life. Although both statutes have many features in common, thereRead MoreDavid, Michelangelo and Donatello.1001 Words   |  5 PagesDuring the renaissance Michelangelo had created many magnificent pieces of art, one of which is the most well-known pieces among the world; the sculpture of David. The Michelangelo sculpture of David wasn’t the only one created during its time, for Donatello had created one some years before hand. Among the two sculptures, Michelangelo’s has a more profound, fascinating, and exceptional quality to it that contributed greatly to the Renaissance. The High Renaissance was a period denotingRead MoreDavid by Donatello and Michelangelo1199 Words   |  5 PagesDavid by Donatello and Michelangelo When thinking about a triumph over an unimaginable feat, the story of David and Goliath comes to mind. 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Donatello, whose David was the first life-size nude statue since Classical times, struck a balance between Classicism and the realism by presenting a very real image of an Italian peasant